#: locale=en
## Tour
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tour.name = MOCA: Neither I, Nor Time, Nor History
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### Multiline Text
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JEREMY DEAN
(American, born 1977)
Fundament IX, 2021
St. Augustine beach seawater, sand, Confederate monument foundation fragment 1879
Courtesy of the artist
HTMLText_803A218A_D722_CE66_4198_2345D882CBFF_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament IX, 2021
St. Augustine beach seawater, sand, Confederate monument foundation fragment 1879
Courtesy of the artist
HTMLText_C1BDD35D_D6E2_B2E2_41CC_DEB9693C481F.html = JEREMY DEAN
(American, born 1977)
This Innocent Country Part I, 2021. Duration: 3’ 12"
Three channel video, various archival Florida tourism promotional films (1963-1965), 1964 Civil Rights footage, 2020 protests. Courtesy of the artist
This Innocent Country: Part II , 2021. Duration: 2’
Three channel video, various archival Florida tourism promotional films (1963-1965), 1964 Civil Rights footage, 2020 live action/documentation.
Courtesy of the artist
With support from the Foundation for Contemporary Arts, New York
The three-channel videos This Innocent Country: Part I and II
juxtapose historical newsreel footage with recent images from
St. Augustine. This Innocent Country: Part I takes place on its
beaches; including images from the fight for beach desegregation
during the 1964 Civil Rights Movement, idyllic images from Florida tourism promotion of the same period, and recent footage filmed by the artist, featuring surfer Gigi Lucas, founder of SurfearNEGRA, a nonprofit established in 2018 to introduce cultural and gender diversity to the sport. Part II, contrasts the protests of 1964 and the 2020 protests over the removal of the Confederate monument.
“This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it... It is their innocence which constitutes the crime.”
- James Baldwin,
The Fire Next Time, 1962
HTMLText_C1BDD35D_D6E2_B2E2_41CC_DEB9693C481F_mobile.html = JEREMY DEAN
(American, born 1977)
This Innocent Country Part I, 2021. Duration: 3’ 12"
Three channel video, various archival Florida tourism promotional films (1963-1965), 1964 Civil Rights footage, 2020 protests. Courtesy of the artist
This Innocent Country: Part II , 2021. Duration: 2’
Three channel video, various archival Florida tourism promotional films (1963-1965), 1964 Civil Rights footage, 2020 live action/documentation.
Courtesy of the artist
With support from the Foundation for Contemporary Arts, New York
The three-channel videos This Innocent Country: Part I and II
juxtapose historical newsreel footage with recent images from
St. Augustine. This Innocent Country: Part I takes place on its
beaches; including images from the fight for beach desegregation
during the 1964 Civil Rights Movement, idyllic images from Florida tourism promotion of the same period, and recent footage filmed by the artist, featuring surfer Gigi Lucas, founder of SurfearNEGRA, a nonprofit established in 2018 to introduce cultural and gender diversity to the sport. Part II, contrasts the protests of 1964 and the 2020 protests over the removal of the Confederate monument.
“This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it... It is their innocence which constitutes the crime.”
- James Baldwin,
The Fire Next Time, 1962
HTMLText_C21B0AD8_D6E5_53E1_41B3_FED00E2DB128.html = JEREMY DEAN
(American, born 1977)
Fundament I, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C21B0AD8_D6E5_53E1_41B3_FED00E2DB128_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament I, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C32FE96D_D6ED_7EA2_41E4_E4421D0A4BEE.html = JEREMY DEAN
(American, born 1977)
Fundament VII, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C32FE96D_D6ED_7EA2_41E4_E4421D0A4BEE_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament VII, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C3419123_D6EF_4EA6_41E3_B55D8AB09222.html = JEREMY DEAN
(American, born 1977)
Fundament VIII, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C3419123_D6EF_4EA6_41E3_B55D8AB09222_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament VIII, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C355A40B_D6E2_B666_41B3_6C874B7BC859.html = JEREMY DEAN
(American, born 1977)
Fundament V, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C355A40B_D6E2_B666_41B3_6C874B7BC859_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament V, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C363DD89_D6ED_5662_41DC_8EF40F103007.html = JEREMY DEAN
(American, born 1977)
Fundament VI, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C363DD89_D6ED_5662_41DC_8EF40F103007_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament VI, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C372F020_D6E2_CEA2_41C7_57B323566B6F.html = JEREMY DEAN
(American, born 1977)
Fundament III, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C372F020_D6E2_CEA2_41C7_57B323566B6F_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament III, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C38F6C57_D6E3_D6EF_41E7_9601CF9F10DC.html = JEREMY DEAN
(American, born 1977)
Fundament IV, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C38F6C57_D6E3_D6EF_41E7_9601CF9F10DC_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament IV, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C3E8EF05_D6E5_D262_41E9_782B60251FEE.html = JEREMY DEAN
(American, born 1977)
Fundament II, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
HTMLText_C3E8EF05_D6E5_D262_41E9_782B60251FEE_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament II, 2021
stereoview circa 1880, Confederate monument foundation fragment 1879
Courtesy of the artist
The sculpture series Fundament presents original stereoview photographs from 1880s St. Augustine, FL. and its environs, including Black homesteads, cotton fields, and the Slave market. The images are mounted on fragments from the underground foundation of the recently removed Confederate Monument in St. Augustine.
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info@loremipsum.com
Tlf.: +11 111 111 111
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HTMLText_F10CDFFA_D72D_B1A6_41D5_11CCC3FAF70F.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy are blocked by Monson Hotel owner James Brock from entering the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy arrested and taken to police car after trying to integrate the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 18, 1964 – “Monson Motor Lodge Manager James Brock pours muriatic acid into a swimming pool as Negro and white demonstrators scream.” UPI
Original Wire photo, June 18, 1964 – “Hotel Manager James Brock, left, shoves a white integrationist toward an officer after a group of white and negro demonstrators tried to enter the motel restaurant.” AP Wirephoto Original Wire photo, June 18, 1964 – “Officer Billitz takes a swing at one of the demonstrators in an effort to chase him from the pool.” AP Wirephoto
Original Wire photo, June 19, 1964 – “UP GOES THE CONFEDERATE FLAG AT MONSONS – Manager James Brock and his daughter Robyn, 13, raise a confederate flag today in front of the Monson Motor Lodge in St. Augustine, Fla. The motel has been a target for several weeks of Negro integrationist. Yesterday they jumped into the pool at the motel.” AP Wirephoto
Original Wire photo, July 24, 1964 – “OFFICERS INSPECT FIRE DAMAGE – Florida attorney general James Kynes, second from left, inspects fire damage to the Monson Motor Lodge dining room after someone threw two cans of inflammable liquid and ignited them with molotov cocktails during the early morning. The motel has been a prime target of integrationist activities. From left: Joe Jacobs, Assistant Attorney General, Kynes, Dan Warren, State attorney, and James Brock, manager of the motel.” AP Wire photo
Original Wire photo, June 20, 1964 – “COMBAT INTEGRATION” –
Segregationist J. B. Stoner, from Atlanta, Ga., addresses a rally of
segregationist at slave market in St. Augustine Fla., last night after
announcement of passage of Civil Rights bill in the Senate. Negroes marched by during the rally without incident.
Original Wire photo, June 10, 1964 – “BEGINS MASSIVE ASSAULT ON SEGREGATON – Pickets stand in background at press conference as Dr. R.B. Hayling, Dr. Martin Luther King Jr. and Dr. Ralph Abernathy (left to right seated at table foreground) announce “’the beginning of massive assault on segregating”’ in St. Augustine, Fla today. AP Wirephoto
HTMLText_F10CDFFA_D72D_B1A6_41D5_11CCC3FAF70F_mobile.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy are blocked by Monson Hotel owner James Brock from entering the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy arrested and taken to police car after trying to integrate the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 18, 1964 – “Monson Motor Lodge Manager James Brock pours muriatic acid into a swimming pool as Negro and white demonstrators scream.” UPI
Original Wire photo, June 18, 1964 – “Hotel Manager James Brock, left, shoves a white integrationist toward an officer after a group of white and negro demonstrators tried to enter the motel restaurant.” AP Wirephoto Original Wire photo, June 18, 1964 – “Officer Billitz takes a swing at one of the demonstrators in an effort to chase him from the pool.” AP Wirephoto
Original Wire photo, June 19, 1964 – “UP GOES THE CONFEDERATE FLAG AT MONSONS – Manager James Brock and his daughter Robyn, 13, raise a confederate flag today in front of the Monson Motor Lodge in St. Augustine, Fla. The motel has been a target for several weeks of Negro integrationist. Yesterday they jumped into the pool at the motel.” AP Wirephoto
Original Wire photo, July 24, 1964 – “OFFICERS INSPECT FIRE DAMAGE – Florida attorney general James Kynes, second from left, inspects fire damage to the Monson Motor Lodge dining room after someone threw two cans of inflammable liquid and ignited them with molotov cocktails during the early morning. The motel has been a prime target of integrationist activities. From left: Joe Jacobs, Assistant Attorney General, Kynes, Dan Warren, State attorney, and James Brock, manager of the motel.” AP Wire photo
Original Wire photo, June 20, 1964 – “COMBAT INTEGRATION” –
Segregationist J. B. Stoner, from Atlanta, Ga., addresses a rally of
segregationist at slave market in St. Augustine Fla., last night after
announcement of passage of Civil Rights bill in the Senate. Negroes marched by during the rally without incident.
Original Wire photo, June 10, 1964 – “BEGINS MASSIVE ASSAULT ON SEGREGATON – Pickets stand in background at press conference as Dr. R.B. Hayling, Dr. Martin Luther King Jr. and Dr. Ralph Abernathy (left to right seated at table foreground) announce “’the beginning of massive assault on segregating”’ in St. Augustine, Fla today. AP Wirephoto
HTMLText_F2DA0993_D725_BE67_41E3_F985AC73B6A8.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy are blocked by Monson Hotel owner James Brock from entering the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy arrested and taken to police car after trying to integrate the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 18, 1964 – “Monson Motor Lodge Manager James Brock pours muriatic acid into a swimming pool as Negro and white demonstrators scream.” UPI
Original Wire photo, June 18, 1964 – “Hotel Manager James Brock, left, shoves a white integrationist toward an officer after a group of white and negro demonstrators tried to enter the motel restaurant.” AP Wirephoto Original Wire photo, June 18, 1964 – “Officer Billitz takes a swing at one of the demonstrators in an effort to chase him from the pool.” AP Wirephoto
Original Wire photo, June 19, 1964 – “UP GOES THE CONFEDERATE FLAG AT MONSONS – Manager James Brock and his daughter Robyn, 13, raise a confederate flag today in front of the Monson Motor Lodge in St. Augustine, Fla. The motel has been a target for several weeks of Negro integrationist. Yesterday they jumped into the pool at the motel.” AP Wirephoto
Original Wire photo, July 24, 1964 – “OFFICERS INSPECT FIRE DAMAGE – Florida attorney general James Kynes, second from left, inspects fire damage to the Monson Motor Lodge dining room after someone threw two cans of inflammable liquid and ignited them with molotov cocktails during the early morning. The motel has been a prime target of integrationist activities. From left: Joe Jacobs, Assistant Attorney General, Kynes, Dan Warren, State attorney, and James Brock, manager of the motel.” AP Wire photo
Original Wire photo, June 20, 1964 – “COMBAT INTEGRATION” –
Segregationist J. B. Stoner, from Atlanta, Ga., addresses a rally of
segregationist at slave market in St. Augustine Fla., last night after
announcement of passage of Civil Rights bill in the Senate. Negroes marched by during the rally without incident.
Original Wire photo, June 10, 1964 – “BEGINS MASSIVE ASSAULT ON SEGREGATON – Pickets stand in background at press conference as Dr. R.B. Hayling, Dr. Martin Luther King Jr. and Dr. Ralph Abernathy (left to right seated at table foreground) announce “’the beginning of massive assault on segregating”’ in St. Augustine, Fla today. AP Wirephoto
HTMLText_F2DA0993_D725_BE67_41E3_F985AC73B6A8_mobile.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy are blocked by Monson Hotel owner James Brock from entering the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 11, 1964 - Dr. King and Ralph Abernathy arrested and taken to police car after trying to integrate the Monson restaurant. Staff photo by Bob Moreland
Original Press photo, June 18, 1964 – “Monson Motor Lodge Manager James Brock pours muriatic acid into a swimming pool as Negro and white demonstrators scream.” UPI
Original Wire photo, June 18, 1964 – “Hotel Manager James Brock, left, shoves a white integrationist toward an officer after a group of white and negro demonstrators tried to enter the motel restaurant.” AP Wirephoto Original Wire photo, June 18, 1964 – “Officer Billitz takes a swing at one of the demonstrators in an effort to chase him from the pool.” AP Wirephoto
Original Wire photo, June 19, 1964 – “UP GOES THE CONFEDERATE FLAG AT MONSONS – Manager James Brock and his daughter Robyn, 13, raise a confederate flag today in front of the Monson Motor Lodge in St. Augustine, Fla. The motel has been a target for several weeks of Negro integrationist. Yesterday they jumped into the pool at the motel.” AP Wirephoto
Original Wire photo, July 24, 1964 – “OFFICERS INSPECT FIRE DAMAGE – Florida attorney general James Kynes, second from left, inspects fire damage to the Monson Motor Lodge dining room after someone threw two cans of inflammable liquid and ignited them with molotov cocktails during the early morning. The motel has been a prime target of integrationist activities. From left: Joe Jacobs, Assistant Attorney General, Kynes, Dan Warren, State attorney, and James Brock, manager of the motel.” AP Wire photo
Original Wire photo, June 20, 1964 – “COMBAT INTEGRATION” –
Segregationist J. B. Stoner, from Atlanta, Ga., addresses a rally of
segregationist at slave market in St. Augustine Fla., last night after
announcement of passage of Civil Rights bill in the Senate. Negroes marched by during the rally without incident.
Original Wire photo, June 10, 1964 – “BEGINS MASSIVE ASSAULT ON SEGREGATON – Pickets stand in background at press conference as Dr. R.B. Hayling, Dr. Martin Luther King Jr. and Dr. Ralph Abernathy (left to right seated at table foreground) announce “’the beginning of massive assault on segregating”’ in St. Augustine, Fla today. AP Wirephoto
HTMLText_F3392816_D722_DE6E_41D7_0ABED760E970.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Wire photo, May 29, 1964 – “DOGS USED IN DEMONSTRATION – Policemen used these dogs in an attempt to keep whites and negroes separated during a march on downtown St. Augustine by the negro group late last night.” AP Wirephoto
Pictured here is the late Rev. CT Vivian.
Original Wire photo, June 20, 1964 – “INTEGRATIONISTS CONTINUE DRIVE – A group of white and negro integrationists pickets walk down a St. Augustine, Fla. Street past an uninterested horse wearing a straw hat to protect his head from the sun.” AP Wirephoto
Original Wire photo, April 1, 1964 – “SINGING DEMONSTRATORS – Young demonstrators pile out of a police truck singing and clapping at the jail where they were held following
Original Wire photo, June 10, 1964 – “THE BIG EFFORTS FOR THE NEXT DAYS – A young Negro boy is carried back to the Negro section after he apparently was struck by a thrown rock during a near-riot last night in St. Augustine. The youth was among a group of you whites and Negroes who marched through the city with heavy police protection that failed to keep some whites from hurling bricks at the marchers. Other
Negroes are continuing their march at right. Several Negroes were injured.” AP Wirephoto demonstrations in St. Augustine Fla.” AP Wirephoto
Original Wire photo, June 10, 1964 – “BEATEN DURING DEMONSTRATION – Randolph Hampton wipes blood from nose after he was attacked last night along with several others during a demonstration in St. Augustine, Fla.” AP Wirephoto
Original Press photo, June 6, 1965 – “ THE CROWD IS BACK – A group of tourists, riding in a surrey, ride past the old slave market and park in St. Augustine, Fla. where a number of demonstrations were held by Negroes and whites in 1964. After a year of racial strife, the tourist are coming back to the city again and city officials hope that this, their 400th anniversary year, will be a successful one both in the tourist trade and in making headway at healing the wounds caused by the demonstrations.” AP News Feature photo
HTMLText_F3392816_D722_DE6E_41D7_0ABED760E970_mobile.html = JEREMY DEAN: NEITHER I, NOR TIME, NOR HISTORY
Photographic documentation of the Civil Rights Protests in St. Augustine, Fla. (From left to right:)
Original Wire photo, May 29, 1964 – “DOGS USED IN DEMONSTRATION – Policemen used these dogs in an attempt to keep whites and negroes separated during a march on downtown St. Augustine by the negro group late last night.” AP Wirephoto
Pictured here is the late Rev. CT Vivian.
Original Wire photo, June 20, 1964 – “INTEGRATIONISTS CONTINUE DRIVE – A group of white and negro integrationists pickets walk down a St. Augustine, Fla. Street past an uninterested horse wearing a straw hat to protect his head from the sun.” AP Wirephoto
Original Wire photo, April 1, 1964 – “SINGING DEMONSTRATORS – Young demonstrators pile out of a police truck singing and clapping at the jail where they were held following
Original Wire photo, June 10, 1964 – “THE BIG EFFORTS FOR THE NEXT DAYS – A young Negro boy is carried back to the Negro section after he apparently was struck by a thrown rock during a near-riot last night in St. Augustine. The youth was among a group of you whites and Negroes who marched through the city with heavy police protection that failed to keep some whites from hurling bricks at the marchers. Other
Negroes are continuing their march at right. Several Negroes were injured.” AP Wirephoto demonstrations in St. Augustine Fla.” AP Wirephoto
Original Wire photo, June 10, 1964 – “BEATEN DURING DEMONSTRATION – Randolph Hampton wipes blood from nose after he was attacked last night along with several others during a demonstration in St. Augustine, Fla.” AP Wirephoto
Original Press photo, June 6, 1965 – “ THE CROWD IS BACK – A group of tourists, riding in a surrey, ride past the old slave market and park in St. Augustine, Fla. where a number of demonstrations were held by Negroes and whites in 1964. After a year of racial strife, the tourist are coming back to the city again and city officials hope that this, their 400th anniversary year, will be a successful one both in the tourist trade and in making headway at healing the wounds caused by the demonstrations.” AP News Feature photo
HTMLText_F351A2D6_D722_B3E1_41E4_5B53CB84C488.html = JEREMY DEAN
Neither I, Nor Time, Nor History
February 19 – May 16, 2021
Jeremy Dean (b. Lubbock, TX, 1977), has built a reputation for questioning the historical narrative we are taught to take for truth, by deconstructing and re-contextualizing archival images and contemporary symbols.
In Neither I, Nor Time, Nor History*, Dean explores the racial foundations underpinning modern America. Building on his research as a student at Flagler College in St. Augustine, Fla., the multimedia project includes sculptures, archival photographs, and video installations, as well as a film projection in the MOCA Theater. It exposes startling parallels between the Civil Rights Movement of the 1960s and today’s continued struggle for racial equality, brought to the fore by the Black Lives Matter movement. In this way, the artist invites us to consider our present and our past, side by side, highlighting the importance of addressing the unseen structures that perpetuate racial inequity to this day.
Curated by Ylva Rouse. MOCA and the Artist would like to thank the following for their support and collaboration: Gigi Lucas, Dustin Miller, Gareth Cox, Eric Hires, Walter Coker, Pat Higgins, and the Lynn and Louis Wolfson II Florida Moving Image Archives at Miami Dade College.
*From A Letter to my Nephew, James Baldwin, 1962.
HTMLText_F351A2D6_D722_B3E1_41E4_5B53CB84C488_mobile.html = JEREMY DEAN
Neither I, Nor Time, Nor History
February 19 – May 16, 2021
Jeremy Dean (b. Lubbock, TX, 1977), has built a reputation for questioning the historical narrative we are taught to take for truth, by deconstructing and re-contextualizing archival images and contemporary symbols.
In Neither I, Nor Time, Nor History*, Dean explores the racial foundations underpinning modern America. Building on his research as a student at Flagler College in St. Augustine, Fla., the multimedia project includes sculptures, archival photographs, and video installations, as well as a film projection in the MOCA Theater. It exposes startling parallels between the Civil Rights Movement of the 1960s and today’s continued struggle for racial equality, brought to the fore by the Black Lives Matter movement. In this way, the artist invites us to consider our present and our past, side by side, highlighting the importance of addressing the unseen structures that perpetuate racial inequity to this day.
Curated by Ylva Rouse. MOCA and the Artist would like to thank the following for their support and collaboration: Gigi Lucas, Dustin Miller, Gareth Cox, Eric Hires, Walter Coker, Pat Higgins, and the Lynn and Louis Wolfson II Florida Moving Image Archives at Miami Dade College.
*From A Letter to my Nephew, James Baldwin, 1962.
HTMLText_FD94B561_D77D_56A2_41C4_9216E351D212.html = JEREMY DEAN
(American, born 1977)
Fundament X, 2021
various archival films (1963-1965), Confederate monument foundation fragment 1879
Courtesy of the artist
HTMLText_FD94B561_D77D_56A2_41C4_9216E351D212_mobile.html = JEREMY DEAN
(American, born 1977)
Fundament X, 2021
various archival films (1963-1965), Confederate monument foundation fragment 1879
Courtesy of the artist
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